The inaugural Perfumed Plume Awards were held last week in New York City. The awards were modelled after the Prix Jasmine and the UK Jasmine Awards and were set up to showcase and reward US fragrance journalists and their writing. There were six categories, including Scent Stories in mainstream media (newspapers and magazines), Scent Stories in digital media, Visualisation of Scent Stories, a Fragrance Book Award and Science of Scent Stories. Winners included Mark Behnke from Colognoisseur (Scent Stories, Digital), Mandy Aftel (Fragrance Book Award), Dana El Masri (Science of Scent Stories, for Michelyn Camen of CaFleureBon) and Jasia Julia Nielson (Visualisation of Scent Stories, for Michelyn Camen of CaFleureBon). Congratulations to all of the inaugural Perfumed Plume winners: what a fabulous bunch of writers!
I’ve been unwell, dear readers, really not myself at all lately. I lost my mojo due to a flare up of chronic illness, and haven’t had much energy to write. But I’m getting back on the horse and I’m not going to fall off again. I’ve been a truant from Perfume Polytechnic but now I’m back and making up for missed lessons. Here is a little update on my recent smelly adventures and discoveries…
Rochas Femme Where Have You Been All My Life?
While I’m an eager beaver when it comes to perfume, and though I try to smell most of what I can lay my nose on — with the exception of many recent commercial releases, which I often find uninteresting — I still haven’t smelt every perfume out there, including some of the classics. Sometimes it’s hard to remember what I’ve smelt and how it smelt, unless I make notes about it. I might have smelt a fragrance once in a discount chemist somewhere, or at a friend’s house, and then swiftly forgotten what it was like. Unless one has a vast scent library, it can be hard to keep track of things.
I have only been on this olfactory adventure for a little over three years, and I live in Australia, a rather isolated island, where it seems impossible to find and sample certain perfumes. Here, you take what you can get, what you can find, and what friends can share with you. It can be a patchy self-education, but I try my best. My nose is maturing and developing with all of the wonderful indie perfumes I’ve been sent to review and I find I’m more open-minded (open-nosed?) than ever before. But it’s still only a fraction of what’s out there…
Despite these limitations, I estimate that I have nevertheless smelt at least a thousand perfumes by now. I haven’t kept track. Even though this is only a small percentage of what’s ever been produced, it’s getting to the point now where not much surprises my nose, and when it does, or when I instantly adore something, it’s a good and surprising thing. It reminds me of the early days, when I first decided to study perfume, and every single fragrance smelt new and exciting to me, because I had experienced so little at that stage.
Tastes change also, so what didn’t appeal a year or two ago might now be the instant love of my life. As is the case with my recent rediscovery of Rochas Femme, in one of those family-run chemists that stocks odd and interesting bottles of perfume, heavily discounted, in the outer suburbs of Melbourne. Rochas Femme was ubiquitous at various discount chemists a couple of years back, and I did try it then, but it didn’t grab me. Was it too vintage-smelling, too mature, too animalic? These are the reasons why I love it now, but a couple of years ago, I don’t think my nose was ready for those qualities.