The inaugural Perfumed Plume Awards were held last week in New York City. The awards were modelled after the Prix Jasmine and the UK Jasmine Awards and were set up to showcase and reward US fragrance journalists and their writing. There were six categories, including Scent Stories in mainstream media (newspapers and magazines), Scent Stories in digital media, Visualisation of Scent Stories, a Fragrance Book Award and Science of Scent Stories. Winners included Mark Behnke from Colognoisseur (Scent Stories, Digital), Mandy Aftel (Fragrance Book Award), Dana El Masri (Science of Scent Stories, for Michelyn Camen of CaFleureBon) and Jasia Julia Nielson (Visualisation of Scent Stories, for Michelyn Camen of CaFleureBon). Congratulations to all of the inaugural Perfumed Plume winners: what a fabulous bunch of writers!
Today marks the start of a new series of brief perfume reviews called Just The Juice. Why “Just The Juice”? I want to talk about fragrances that I’ve come across, both new releases and older ones, and I want to keep it focused on the perfume (the “juice”) itself. So often I write about the background, the history, the sociological and psychological significance, etc. etc. of a smell or a perfume. But in the interests of pure perfume prose, in this series I’m going to write about the juice, in 300 words or less per perfume, and include relevant artistic/conceptual notes from the perfumer too, if I can. I hope to introduce you to some wonderful perfumes in this series.
Today I will be reviewing two recent releases by Dawn Spencer Hurwitz of DSH Perfumes, both in VdP (voile de parfum) strength.
Albino (A Study in White)
Dawn Spencer Hurwitz of DSH Perfumes says of her recent (2015) release Albino (A Study in White):
“What began as a fascination with the albino raspberry soon became an exploration from the real to abstraction.
What is it to be without pigment? There seems to be a kind of quality; a luminosity and sense of lightness. So then what? “White” materials… and a questioning: what does white feel like?
Albino takes an abstract look at white from a synesthetic and textural stance. The textures being crisp, pithy, and creamy; shifting from fruity crispness to pithy to a creamy feel, with blond woods, and musk at the final drydown.
Meet Albino. He’s gorgeously unusual.”
Source: DSH Perfumes website
This time of year perfume bloggers around the world often post their “best of” lists: new release fragrances, perfume houses, perfumers, etc. that made a mark on them during the year. As Perfume Polytechnic is not just about fragrance releases and reviews, and is by no means comprehensive in its coverage of such things, I feel unqualified to write such a list. However, as Perfume Polytechnic is about all kinds of olfactory matters and the sense of smell, its role in art, science, food etc., I am going to list my favourite olfactory moments of 2015 instead, in no particular order. Perfume Polytechnic also investigates the connections between people and the function that scent plays in bringing people together, as well as interconnections between the various art forms and mediums, including scent. This year’s list deals with some of these themes. Continue reading
It’s been a long, cold Winter here in rural, South-Eastern Australia, but spring is finally here. The fruit trees have blossomed, the canola fields are neon yellow, pretty bulbs have come and gone: tulips, daffodils and irises. The rose bush is now in bud, and my pot of carnations promises flowers soon. Lavender flowers have emerged a deep shade of purple after dying off over Winter. The grass is green and needs constant mowing, the sun is plentiful, encouraging weeds to shoot up rapidly. I’ve spent a lot of time in the garden recently, fingers in the dirt, smelling the cut grass, the uprooted weeds and the flowers. It seems like an appropriate time to embrace floral perfumes again: they mimic my real-life experience of Spring, which promises vibrant new life, energy and growth.
When I travelled to Europe in March 1999, I spent some time in France, on the cusp of Spring. I was keen to visit painter Claude Monet’s famous garden at Giverny near Paris, but was mortified to find out, once in Paris, that the garden didn’t open until the 1st of April. As I had plans to be in Provence before then I sadly had to forgo my visit to Giverny.
Giverny in Bloom: a Scent Experience
Sixteen years later, perfumer Dawn Spencer Hurwitz has given me the chance to experience an olfactory visit to these gardens with her fragrance collection Giverny in Bloom. Giverny in Bloom was created for the Denver Art Museum’s In Bloom: Painting Flowers in the Age of Impressionism exhibition, which has been running throughout the American Summer and finishes this coming Sunday, 11 October. The exhibition showcases floral, still-life paintings by 19th Century French Impressionist painters, including Manet, Degas, Monet, Renoir and Van Gogh. For anyone living in or near Denver who is interested in olfaction, you still have a chance to visit and experience the special scent experience that Dawn has created for this exhibition. The Giverny in Bloom collection is also available to purchase from the DSH website, so if you can’t experience the scents in the context of the exhibition, you can still enjoy them at home.
Dawn is a perfumer, painter and synaesthete and has collaborated with a range of other artists and with the Denver Art Museum many times before. The Giverny in Bloom scent experience takes place in its own room at the In Bloom exhibition. The room features a panoramic photograph of Claude Monet in his famous garden, and the scents designed by Dawn are dispersed into the space with specially-designed diffusers. Dawn’s scents were inspired by the flowers and plants found in Monet’s garden at Giverny, with a focus on Spring and early Summer flowers, as well as paintings by Monet of Giverny, and floral artworks by other painters in the exhibition. The scents and their placement in the space are intended to convey the impression of being in a garden, moving from one fragrant flower bed or garden space to another, through the use of three separate accords. Each of these fragrance accords is linked to colour.
“Le Jardin Vert” (The Green Garden): a refreshing, slightly cleansing blend of green leaves, trees, and moist earth scent. This aroma of fresh cut leaves and soil greets the visitor and gives its last breath to you as you leave the garden room.
“La Danse des Bleus et des Violettes” (The Dance of Blues and Violets): a lighter, mildly watery interpretation of violets, heliotrope, irises, and lilacs.
“L’Opera des Rouges et des Roses” (The Opera of Red and Pinks): a dramatic, heady scent dominated by old roses, red and pink, peonies, red geraniums, and carnations.
Source: Denver Art Museum website
Dawn has also created a fourth scent from a combination of these three accords, resulting in a highly complex garden fragrance called Giverny in Bloom. Dawn describes this fragrance as:
“An impressionist style perfume of green budding trees, wet dewy flowers and soil, that transforms to a rich floral bouquet as it wears.”
Source: DSH Perfumes website
She says of her inspiration for the scents:
“The inspiration for Giverny in Bloom is not only taken from actual information about Monet’s garden but also from the flowers found in the paintings of the exhibit. This ties the scent experience to more than the Monet paintings in the show. Before leaving the scent experience visitors are invited to take a scratch and sniff card of “Giverny in Bloom” as a memento but as well as to bring the multi-sensory aspect of the olfactory art with them to enhance their interaction with the remainder of the exhibit.”
Source: DSH Perfumes’ Press Release
Dawn also drew upon Impressionist creative concepts when making Giverny in Bloom:
“I intended for the designs to not only reflect the flowers in the paintings, but also to give a sense of what impressionism entails,” Dawn said. “A ‘plein air’ feeling, a kind of lightness and airiness that I feel is found in many impressionist paintings, much like the fleeting delight of walking through a flower garden in full bloom.”
Sourced: Denver Art Museum website
Giverny in Bloom Micro-Reviews
As well as including Dawn’s descriptions of the Giverny in Bloom scents (see above), I also want to share my own impressions of the scents with you. I’ve written some quick sketches, or micro-reviews of each of the four scents below.
Le Jardin Vert (The Green Garden)
Dirty. I smell the realistic scent of freshly dug earth, sweet grass and green leaves. A garden waiting to be planted: empty beds in a manicured garden bordered with neatly clipped lawns, waiting for flowers. Like the inside of a flower shop, which, oddly, these days, rarely smell of fragrant flowers and more like cut stems, greenery and water.
L’Opera des Rouges et des Roses (The Opera of Red and Pinks)
Rich and vibrating with excitement and intense energy. The rose is crisp and tart and the clove-like, peppery carnation adds a spicy undertone that makes the fragrance shimmer even more. This is a deeply exuberant scent and it literally took my breath away when I first sniffed it. My favourite of the collection.
La Danse des Bleus et des Violettes (The Dance of Blues and Violets)
Soft and comforting and old-fashioned with notes of Victorian violet, iris and heliotropin dominating. I’m reminded of Guerlain’s L’Heure Bleue, though this is softer and as it develops, watery notes emerge and take over. This is a watercolour-soft fragrance. It’s delicate, realistic and pretty.
Giverny in Bloom
A realistic, interesting and complex scent – just like that of a real garden. At first I smell mostly the green, dirty, watery and softer floral notes (the blues and violets), but as the fragrance warms and settles, the sweeter, richer red and pink flowers emerge. The smell of dirt remains subtly throughout, which reminds me that I’m smelling the scent of a garden, not just a bouquet of flowers.
It’s been a delight to be able to experience Dawn Spencer Hurwitz’s Giverny in Bloom collection, particularly at the height of Spring in Australia, when smelling these lovely floral and garden-inspired accords and fragrances seems particularly apt. As a veteran collaborator with other artists and galleries, and as a synaesthete, perfumer and visual artist herself, Dawn Spencer Hurwitz is the perfect fit for this scent collaboration. I wish I could visit Dawn’s special scent room and experience the In Bloom exhibition in its entirety, but having the fragrances to smell will have to suffice. These beautiful garden scents transport me in my imagination to Monet’s garden at Giverny, a place I’ve wanted to visit for many years.
Exhibition Details & Where to Buy Giverny in Bloom
In Bloom: Painting Flowers in the Age of Impressionism is on at the Denver Art Museum until Sunday October 11, 2015. Visit the Denver Art Museum website for further information.
The Giverny in Bloom collection can be purchased at the DSH Perfumes website. You can buy the Sample Pack (4 x 1ml) for $24 USD or a Discovery Set (4 x 3ml) for $48 USD here. A coffret of four mini flasks can be purchased for $70 USD here. You can also purchase the individual fragrances from the collection in a range of different sizes here.
You can read more about Dawn Spencer Hurwitz and her work as a perfumer and artist over at her website.
Find out more about Claude Monet’s garden at Giverny at the Fondation Claude Monet website.
Acknowledgements & Disclaimer
Warmest thanks to Dawn Spencer Hurwitz for generously providing me with a discovery set of the Giverny in Bloom collection for this blog post and review.